
A Wolf In Preacher’s Clothes will be released on vinyl LP on May 29th! First edition is a very limited run of 200. Pre-order your copy now at Mother West.
Release show/party in NYC on June 3rd. Details to follow…

A Wolf In Preacher’s Clothes will be released on vinyl LP on May 29th! First edition is a very limited run of 200. Pre-order your copy now at Mother West.
Release show/party in NYC on June 3rd. Details to follow…

We’ve been reading Big Takeover since the 8th grade, and still respect it as one of the only music magazines around that matter. Jack Rabid himself penned the following words about A Wolf… for the Spring issue.
Jon DeRosa
A Wolf In Preacher’s Clothes
“If you want reviews in Big Takeover, your chances improve mentioning The Chameleons in your bio. First you have to know who they were; and those that value them tend to make artistic, pretty music. Even if his promo’s Scott Walker reference is more helpful to unlock dapper DeRosa’s locker (like 1969’s Scott 3 and 4), with a spin of a Divine Comedy, Amanda Brown-era Go-Betweens, or 1984 Julian Cope combination,
this holds true for A Wolf. I.e., it’s unlike the singer/songwriter’s significant catalog with darkwave stalwarts Dead Leaves Rising and atmospheric guitar dronesters Aarktica. Light, fluffy strings are constant highlights, as are chamber pop, piano-lit quiet spaces, ’40s moody lounge ambiance, and DeRosa’s romantic crooning. An orchestral pop nod to Eric Matthews’s trumpet fanfares on the opening “Birds of Brooklyn” is also salutary. Sit, relax, nip a highball, and… listen.

Monday, April 9th
Jon DeRosa LIVE
A Wolf In Preacher’s Clothes Album Release Show
Rockwood Music Hall (196 Allen Street @ Houston) NYC
Set time is 9 PM SHARP
Also, be sure to tune into East Village Radio at 1 PM that afternoon (April 9th) to hear Jon and his band play songs off the new album live in the studio.
Visit the Music portion of this site to stream advance songs from A Wolf In Preacher’s Clothes!

Read the full review here.
Aarktica leader Jon DeRosa steps up with a limited edition four-song EP influenced by Robert Wyatt, and the Blue Nile’s Paul Buchanan with hints of Spiritualized and Echo and The Bunnymen. The title cut unfolds at a heroic saunter, the melody haunting, uplifting, enigmatic. Joined by percussionist Sam Lazzara, whose presence is as integral to “Snow Coffin” as DeRosa’s own, plus cellist Julia Kent, violinist Claudia Chopek and several other players, Anchored never wavers from excellence. Some never write four songs of consequence in their entire careers; DeRosa has delivered that many in one sitting. The Nick Drake-cum-Scott Walker “Ladies In Love” suggests we have plenty to look forward to once DeRosa releases his first solo full length album later this year. – Jedd Beaudoin, PopMatters
To celebrate the upcoming release of Karolina Waclawiak’s debut novel How To Get Into The Twin Palms (Two Dollar Radio/July 2012), we are offering up something special. Sign our mailing list (to the right) and receive a free download of Jon’s song “Hollow Earth Theory,” featured in the …Twin Palms book trailer below. This track will also be featured on Jon’s album A Wolf In Preacher’s Clothes, available digitally April 10th and on limited vinyl LP May 8th!

Jon’s been hard at work all Winter with producer Charles Newman (Magnetic Fields) on a new full-length release. Expect tracklist and details soon! But for now, come out and hear the new songs as Jon and his band perform them for this special pre-Valentine’s Day show in Brooklyn. With special guest, the lovely all-girl vocal trio The Tickled Pinks!
Be sure to find Jon on Facebook here for current live updates and album info.
A few press items of interest this week, including a nice little sit-down discussion between Jon DeRosa and the great Tobias Carrol of Volume 1 Brooklyn, where they talk about some of Jon's past projects (read: Aarktica, Pale Horse and Rider), current reading, and how to pull off covering Danzig: The cardinal sin of cover songs is: Don’t cover a song if 1) it’s already perfect the way it is or 2) you can’t make it better, or at least more interesting than the original. That’s why I will never be able to cover Harry Nilsson. Read the entire interview here: http://vol1brooklyn.com/2011/10/04/band-booking-jon-derosa/.
Another notable bit of press comes from the beloved long-standing UK publication Terrascope, who reviews DeRosa's new Anchored EP: The title track is a dirgy lament that echoes The Cure and Echo and The Bunnymen at their most introspective, with perhaps a touch of Jason Pierce’s Spiritualized project trickling through. Read the entire review here.
Author Karolina Waclawiak stops by Sara Gran and Megan Abbott’s Medicine Show to discuss “Murder, In Song,” an exploration of murder ballads. Included is an examination of “Ladies In Love” from the Anchored EP.
Schmid’s chilling proclamation that “ladies should never fall in love,” is sung sweetly, like a lullaby by DeRosa. And Schmid’s poetic line about women’s voices “being like small animals waiting to be fed” is seemingly easier to take here, layered and somber…
Read the full article here: http://abbottgran.wordpress.com/2011/09/19/murder-in-song/
Nice review of Anchored at UK site Leonard’s Lair: http://leonardslair.wordpress.com/2011/09/15/review-jon-derosa-anchored/
Sometimes it seems lazy to compare artists to similar acts but at other times it would be almost irresponsible not to mention it. So whether it’s by acident or design, it’s almost impossible not to make comparisons between Jon DeRosa and Richard Hawley, even though these performers hail from Brooklyn and Sheffield, respectively.
The resemblance is to the fore from the outset, courtesy of the ballad ‘Anchored’ where DeRosa croons in melancholic fashion above rich layers of instruments. ‘Snow Coffin’ moves in to mid-paced territory. So many artists use strings to embellish their songs but so often they merely serve to cover up failings on the songrwriting front. Here, they definitely complement the natural warmth of the song. ‘Ladies In Love’, on the other hand, recalls the elegant, urbane atmosphere of The Divine Comedy and it’s then left to ‘Submarine Bells’ (a cover of a track by The Chills) to provide the lullaby moment; the arrangements surrounding DeRosa’s echoed croon like twinkling stars.
DeRosa has been better known as frontman for drone-pop act Aarktica for over a decade. Due to its limited release, ‘Anchored’ may not change that situation but whether this is a brief side project or not, there is a wonderful voice here which simply demands to be heard.