Read the full Flipside review here:
“What does strike you is DeRosa’s capable crooning. Sounding not unlike a teen-idol and writing like a stalwart, this man is equal parts Neil Hannon, Richard Hawley, Scott Walker (the ’60s version), Bobby Darin and DeRosa himself…”
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Read the full Happening review here:
“In essence, A Wolf In Preacher’s Clothes is a beautiful collision between the dark dreaminess of Echo & The Bunnymen, and the orchestrated pop ballads of the 50s and early 60s, polished off with some natty 40s vocal styling – all of which has influenced 33-year-old DeRosa down the years. Mostly sombre in tone, the album also reveals flashes of pop perfection, such as opener ‘Birds of Brooklyn’, which manages to walk the wobbly line between being instantly agreeable yet understated enough to avoid a sugary aftertaste.”
Read the full review here:
When Jon DeRosa croons “don’t say goodnight” in the song of the same name – his rich voice tempting an unnamed companion for one last drink in an emptying bar-room – the soulful seduction puts into images A Wolf…‘s overriding atmosphere. Continuing the romantic night-music style established on last year’s Anchored EP, DeRosa’s first album under his own name confirms the New Jerseyite as an estimable find.
Both lyrics and delivery of “True Men” convey vintage interests (name-checking Robert Mitchum and William Holden and smoothly singing “I’ve played the part, I’ve played the fool” like a lovesick Sinatra), as does a smoky, jazz-flecked version of The Blue Nile’s “Easter Parade.” Elsewhere, there are echoes of Stephin Merritt (with whom DeRosa worked on Showtunes) and Neil Hannon of The Divine Comedy, so while it would be a push to describe this as a unique record, it’s no exaggeration to call it an excellent one.
From Leonard’s Lair in the UK:
“Upon encountering Jon DeRosa’s music, courtesy of last year’s Anchored EP, it was hard not to draw parallels between his journey and that of Richard Hawley. Both were largely unknown for their vocals in the early part of their career and then came to the forefront as modern day crooners some time later. A Wolf In Preacher’s Clothes is DeRosa’s first album and one wonders why his voice was hid away for so long.
The New Yorker’s delivery is rich, expressive and elegant like The Divine Comedy‘s Neil Hannon when he wasn’t being too theatrical.’Birds Of Brooklyn,’ ‘Ladies In Love,’ and ‘Teenage Goths’ revel in 1960’s classy trappings and ‘True Men’ harks back to the crooners of at least a decade further back. There’s even a respectful and very lovely cover of The Blue Nile‘s ‘Easter Parade,’ which emphasises the stark beauty of the original but also introduces a tender American viewpoint.
However, as it happens, DeRosa impresses most on the most modern-sounding material.’Snow Coffin’ came from the earlier EP and stands out for its light but insistent post-punk rumble whilst excellent last track, ‘Hollow Earth Theory.’ emphasises his indie songsmith credentials. A Wolf In Preacher’s Clothes is undoubtedly a classy album and the arrangements wisely put DeRosa’s vocals to the forefront. Having said that, if more risks were taken and he concentrates on post-1980’s styles and beyond, DeRosa could be pushed into levels of further greatness.”